I don’t know about you, but I’ve taken to placing a little sticky note over the camera atop by desktop computer. If former FBI Director James Comey and Facebook co-founder Mark Zuckerberg do it, so will I. Big and Little Brothers may be watching.
Happy birthday, Eric Blair.
On this day in 1903, Eric Blair was born in India.
But the year for which he is most noted is 1984, even though he died in 1950.
Under the pen name George Orwell, Blair penned the novels “Nineteen Eighty-four” and “Animal Farm,” as well as several other semi-autobiographical books and numerous essays.
When Orwell wrote “Nineteen Eighty-four” he wasn’t forecasting a particular date, he simply transposed the last two digits in 1948, when he wrote much of the book. Though a life-long socialist he despised the totalitarian and despotic nature of communism, fascism and Nazism.
He added to the lexicon: Big Brother, thoughtcrime, newspeak, doublethink, Room 101, as well as the painted slogans WAR IS PEACE, FREEDOM IS SLAVERY and IGNORANCE IS STRENGTH.
In “Nineteen Eighty-four” the warring nations kept changing enemies, sort of like today.
If you don’t think freedom is slavery, consider the “Life of Julia” — the Obama campaign video that showed a woman relying on government handouts from cradle to retirement. Julia, by the way, was Winston Smith’s girlfriend.
Ignorance is definitely strength, not for us but for politicians who the ignorant keep electing.
As for newspeak and doublethink, consider the language of both Obama and Trump. Obama said we were not fighting a war against terrorists but trying to prevent man-caused disasters. His Defense Department (They don’t call it the War Department anymore.) sent out a memo saying: “this administration prefers to avoid using the term ‘Long War’ or ‘Global War on Terror’ [GWOT.] Please use ‘Overseas Contingency Operation.’” And a man standing on a table, firing a gun, shouting Allahu Akbar is merely workplace violence.
Trump was going to attack Iran for downing our drone, then the called it off. He was going to have ICE round-up immigrants who had been ordered deported, then he delayed it. He was going to impose tariffs, then he did not. During the election campaign he took 141 policy positions on 23 issues over the course of 510 days. He changed stances on immigration, ObamaCare, entitlement programs, gay rights, the Middle East and so much more.
How can there be any thoughtcrime if we are not allowed to use certain words. People aren’t in the country illegally, they are merely undocumented. And this too changes over time. Once the word negro was the preferred and the politically correct term, but now it is a slur.
“Don’t you see that the whole aim of Newspeak is to narrow the range of thought?” Orwell wrote in “Nineteen Eighty-four.” “In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it.”
Today’s cancel culture is Big Brother incarnate.
Statues are being torn down. Books are banned. Social media posts are censored. Speech is deemed the same violence. Silence is also violence. But violence is free speech. Any thought outside the strictly proscribed is a crime. Thoughtcrime literally.
The editorial page editor of the New York Times was ousted after fellow staffers demanded his scalp having the audacity of publishing an op-ed by a U.S. senator calling for sending troops to quell rioting. (It now has a lengthy editors’ note atop it online disavowing much of the op-ed’s content.) The editor of the Philadelphia Inquirer was forced to resign for daring to publish an opinion piece under the headline”Buildings Matter, Too.”
When President Trump tweeted, “When the looting starts, the shooting starts …” Twitter hid it behind warning label because it “glorifies violence.”
Movies and television shows are being canceled lest they offend the snowflakes.
Bowing to racial sensitivity, the Associated Press changed its stylebook to call for the capitalization of the “b” in the term Black when referring to people in a racial, ethnic or cultural context. It was reasoned that lowercase black is a color, not a person. But the AP still uses a lowercase “w” for white, whether a color or a person. Affirmative action run amok?
Back in 1975, David Goodman wrote in The Futurist magazine that 100 of 137 Orwell predictions in “Nineteen Eighty-four” had come true. With the advance of computer surveillance and drones, how many more have come true?
In 1983, while working as the city editor of the Shreveport Journal, I penned a soft feature tied to the 35th anniversary of the original publication of Orwell’s “Nineteen Eighty-Four.”
I observed in that piece that Orwell’s book was about a totalitarian dystopia in which BIG BROTHER WAS WATCHING YOU, suggesting this was like the infrared camera equipped drones or huge network of cybersnooping computers, long before the NSA revelations.
“George Orwell respected language and railed against its abuse,” I wrote in 1983. “He was particularly offended by the propaganda — some of which he helped to write for the BBC in World War II. He saw firsthand the way the press was tricked and subverted for political purposes in the Spanish Civil War. Battles that never happened. Heroes who became traitors.”
In another piece posted here in 2013, I asked whether Orwell was a satirist or a prophet.
Walter Cronkite in a foreword to the 1983 paperback edition of “Nineteen Eighty-Four,” claimed the book has failed as prophecy only because it has served so well as a warning — a warning against manipulation and power grabbing and the loss of privacy in the name of state security.
And Cronkite couldn’t resist adding: “1984 may not arrive on time, but there’s always 1985.”
Orwell himself called his book a satire and took pains to correct those who saw it merely as a denunciation of socialism.
In a letter written shortly after the publication of the book, Orwell wrote, “My novel ‘Nineteen Eighty-four’ is not intended as an attack on socialism, or on the British Labour party, but as a show-up of the perversions to which a centralized economy is liable, and which have already been partly realized in Communism and fascism.
“I do not believe that the kind of society I describe will arrive, but I believe (allowing, of course, for the fact that the book is a satire) that something resembling it could arrive. I believe also that totalitarian ideas have taken root in the minds of intellectuals everywhere, and I have tried to draw these ideas out to their logical consequences. The scene of the book is laid in Britain in order to emphasize that the English speaking races are not innately better than anyone else and that totalitarianism, if not fought against, could triumph anywhere.”
A Newsweek article in 2018 asked the question: “Is Trump nudging America toward corrupt authoritarianism?” Isn’t corrupt authoritarianism redundant?
Back in 2008, when the Las Vegas Review-Journal launched its blogging section online, I engaged in a bit of self-indulgent navel gazing in a column trying to explain why. I leaned on Orwell like a crutch.
I explained that I and other newspaper scriveners were joining the lowing herds browsing the ether — otherwise known as bloggers, those free-range creatures who mostly chew up the intellectual property of others and spit out their cuds online.
In an effort to find a rationale for this otherwise irrational exercise I grabbed Orwell’s “Why I Write” essay from 1946, in which he lists various reasons for writing.
First is sheer egoism: “Desire to seem clever, to be talked about, to be remembered after death, to get your own back on the grown-ups who snubbed you in childhood, etc., etc.,” Orwell explains. “It is humbug to pretend this is not a motive, and a strong one. Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful businessmen — in short, with the whole top crust of humanity. … Serious writers, I should say, are on the whole more vain and self-centered than journalists, though less interested in money.”
I think that was both a salute and a sully to the profession of journalism.
The second rationale, according to Orwell, is aesthetic enthusiasm: “Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. …” Orwell explains. “Above the level of a railway guide, no book is quite free from aesthetic considerations.”
Third is historical impulse: “Desire to see things as they are, to find out true facts and store them up for the use of posterity.”
Finally, and probably most importantly, political purpose: “Using the word ‘political’ in the widest possible sense. Desire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias. The opinion that art should have nothing to do with politics is itself a political attitude.”
Orwell wrote this shortly after he penned “Animal Farm,” but two years before “1984.” He said “Animal Farm” was his first conscious effort “to fuse political purpose and artistic purpose into one whole.”
Orwell wrote against totalitarianism and for democratic socialism.
Ayn Rand wrote for free-market capitalism.
Robert A. Heinlein wrote for libertarianism.
Others espouse various “isms” and objective journalism attempts to eschew them, not always successfully.
So, what moves one to write?
As our master Orwell said, “All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery.”
Everybody loves to unravel a good mystery, right?
Happy birthday, Eric Blair.
A version of this blog has been posted annually for several years.